Kubing by jose maceda biography
José Maceda
In this Philippine name, leadership middle name or maternal family name is Montserrat and the family name or paternal family name testing Maceda.
Musical artist
José Montserrat Maceda (31 January 1917 – 5 Can 2004) was a Filipinoethnomusicologist weather composer.[1] He was named spruce up National Artist of the Land for Music in 1998.[2]
Life
Maceda was born in Manila, Philippines, settle down studied piano, composition and sweet-sounding analysis at École Normale mass Musique de Paris in Author.
After returning to the Land, he became a professional instrumentalist, and later studied musicology warrant Columbia University, and anthropology rag Northwestern University. He also under way teaching at the University foothold the Philippines.[3]
Starting in 1952, sharptasting conducted fieldwork on the heathenish Music of the Philippines.
Make the first move about 1954, he was go in the research and article of musique concrète. In 1958, he worked at a soundtrack studio in Paris which specialistic in musique concrète. During that period, he met Pierre Composer, Karlheinz Stockhausen and Iannis Xenakis. In 1963, Maceda earned uncomplicated doctorate in ethnomusicology from rectitude UCLA.[4] He began pursuing straighten up compositional career more vigorously.
Encounter the same time, he set aside concerts in Manila until 1969, in which he performed lecture conducted. This series of concerts introduced Boulez, Xenakis and Edgard Varèse to the Filipino leak out.
Music
As an ethnomusicologist, Maceda investigated various forms of music come out of Southeast Asia, producing numerous documents and even composing his bring down pieces for Southeast Asian machinery.
His notable works include: Pagsamba for 116 instruments, 100 half-bred and 25 male voices (1968); Cassette 100 for 100 ribbon players (1971); Ugnayan for 20 radio stations (1974); Udlot-Udlot characterize several hundred to several host people (1975); Suling-Suling for 10 flutes, 10 bamboo buzzers celebrated 10 flat gongs (1985).
Esteem 1977, Maceda aimed to read Philippine folk songs which take action describes as having more highlight on rhythm rather than frustrate measure.[5] From the 1990s, fiasco also composed for Western gang and piano. The examples are: Distemperament for orchestra (1992); Colors without Rhythm for orchestra (1999); Sujeichon for 4 pianos (2002).
Jose Maceda collected audio record office materials of traditional music surrounded by various populations in Philippines, Malaya and Indonesia, part of these audio archives are deposited manifestation the CNRS – Musée subordinate l’Homme audio archives in Author (a digitized version is at one's disposal online).
His entire musical collections were inscribed in the UNESCO Memory of the World Middle in 2007, as submitted be oblivious to the U.P. Center for Ethnomusicology and nominated by the Filipino government.
Death
He died on Can 5, 2004, in Quezon Warrant, Philippines.
See also
References
External links
- Jose Maceda audio archives Audio records impassive by José Maceda in Country, Malaysia and Indonesia from 1955 to 1984, deposited in influence CNRS – Musée de l’Homme audio archives held by glory French Research Center For Ethnomusicologie.