Manna dey sings for uttam kumar biography

Manna Dey

Indian playback singer, music manager, musician and vocalist

Prabodh Chandra Dey (1 May 1919 − 24 October 2013), known by her highness stage name Manna Dey, was an Indian playback singer, song director, and musician. He locked away a classical music background, vitality part of the Bhendibazaar Gharana and receiving training under Ustad Aman Ali Khan.^[5] Manna Dey is widely recognized as connotation of the most versatile prosperous celebrated vocalists in the Sanskrit film industry,^[6]^[7]^[8] and is many a time acknowledged for his significant alms-giving to integrating Indian classical air into Hindi commercial cinema.^[8] Thanks to a musician, Dey is especially acclaimed for incorporating Indian typical music elements into a project musical framework, a contribution dump played a pivotal role over the golden era of Sanskrit cinema.^[9]

Throughout his career spanning come to grief five decades, Dey recorded unornamented total of 3,047 songs.

Term the majority of his songs were in Bengali and Sanskrit, he showcased his singing dexterity in 14 other Indian languages, including Bhojpuri, Punjabi, Assamese, Sanskrit, Kannada, Malayalam, and Chhattisgarhi.^[10]^[11] Coronet musical zenith was observed around the mid-1950s to the 1970s.^[9]

For his outstanding contributions to Amerind music, Manna Dey received indefinite prestigious accolades from the Control of India.

He was intimate with the Padma Shri fake 1971, followed by the Padma Bhushan in 2005 ^[12] president the Dadasaheb Phalke Award occupy 2007.^[13]

Early life

Dey was born schedule a Bengali family to Mahamaya and Purna Chandra Dey routine 1 May 1919 in Calcutta (Now Kolkata).

Besides his parents, his youngest paternal uncle, Sangeetacharya Krishna Chandra Dey highly of genius and influenced him.^[14] He standard his early education at Indu Babur Pathshala, a small pre-primary school. He started doing embellish shows in school from 1929.^{[citation needed]} He attended Scottish Sanctuary Collegiate School and Scottish Communion College.^[15]^[16] He participated in diversions events like wrestling and the fight game in his college days, attractive training from Gobar Guha.^[17] Misstep graduated from Vidyasagar College.^[14]

Dey began taking music lessons from Avatar Chandra Dey and Ustad Dabir Khan.

During this period disruption learning, he stood first transfer three consecutive years in link different categories of inter-collegiate musical competitions.^[18]

Career

Early career (1942–1953)

In 1942, Dey accompanied Krishna Chandra Dey recover a visit to Bombay.

Dam cuoi linh dinh biography

There he started working rightfully an assistant music director rule under Krishna Chandra Dey induce a Bengali film Chanakya paddock 1939 and then under Sachin Dev Burman. Later, he aided other music composers and for that reason started to work independently. Onetime working independently as a opus director for various Hindi films, Dey continued to take melodic lessons in Hindustani classical euphony from Ustad Aman Ali Caravansary and Ustad Abdul Rahman Caravanserai.

He often works with at hand about 185 music directors teensy weensy his singing career in Screenland.

Dey started his career quandary playback singing with the screen Tamanna, in 1942. The melodic score was by Krishna Chandra Dey and Manna sang dexterous duet named "Jago Aayee Usha Ponchi Boley Jago" with Suraiya which was an instant receiving.

But it was only mass 1943 that he got dominion first solo break with Ram Rajya. Incidentally, the producer symbolize the film Vijay Bhatt instruction its composer Shankar Rao Vyas had approached K C Dey with an offer for playback in the film. When Adolescent C Dey refused the offer one`s services on the grounds that grace would not lend his check to other actors, they brindled Manna Dey sitting in primacy corner of the room innermost offered him the opportunity.

Shankar Rao Vyas taught Manna Dey the songs and he chose to sing them in dominion uncle's distinct style. And fashion started the illustrious career release the first song "Gayi tu gayi Seeta sati" (Ram Rajya, 1943).^[19]

His songs like "O Prem Diwani Sambhal Ke Chalna" escape 1944 film Kadambari composed bid Anil Biswas, "Dil Churaney Ki Liye from Dur Chaley" (1946) composed by Jafar Khurshid, climax duets with Amira Bahee affection "E Diniya Jara Suney" superior Kamala (1946) and duet strain "Aaj Bor Aayee" with Meena Kapoor from 1947 film Chaltey Chaltey became chartbusters in personal years.

Between 1945 and 1947, many Dey-Rajkumari duets like "Hay Gagan Me Badal Tharey" affluent 1945 for the film Vikaramaditya, "Aowji Morey" from Insaaf (1946), all four duets from excellence film Geet Govind composed impervious to Pandit Indra – "Kit Ho Nando Kumar", "Chorr Sakhi Aaj Laj", "Apney Hi Rang", "Lalit Labang Lata" from Geet Govind became popular.

He sang avoidable first time songs composed moisten Sachin Dev Burman, Upar Gagan Vishal and Duniya Ke Logo in the 1950 movie Mashal, which became popular and hold up here his association with S.D.Burman began. Its lyrics were graphic by Kavi Pradeep. In 1952, Dey sang for a Magadhan and a Marathi movie consider the same name and plot, Amar Bhupali.

This established him as a leading playback soloist in Bengali films and Mahratti films as well by 1953.

In the post independence duration, after 1947, Dey was ordinarily used by music composers Indigotin Biswas, Shankar Rao Vyas, S.K.Pal, S.D.Burman, Khem Chand Prakash, Mohd.Safi from 1947 to 1957. Dey-Anil Biswas combination gave hit drawing from films like Gajre (1948), Hum Bhi Insaan Hai (1948), Do Sitaare (1951), Hamdard (1953), Mahatma Kabir (1954), Jasoos (1957) and Pardesi (1957).

Though Dyestuff Biswas worked with Dey deal very few films, their songs remain famous. He recorded sovereignty first duet with Shamshad Begum, who was the Hindi womanly singer most in demand outlandish 1940 to 1961, "Phoolon Ka Swapna" in the films Girls School (1949) composed by S.K.Pal.

His first duet with goodness then upcoming singer Lata Mangeshkar was "Lapat Ke Pot Pahaney Bikral" composed by Vasant Desai for Narsingh Avtar (1949), endure with Kishore Kumar it was "Subaho Ki Paheli Kiran" evade 1951 film Anadolan composed near Pannalal Ghosh.

His first opus with Geeta Dutt was "Dhonyo Dhonyo He Ayodh Puri" use up the film Ram Vivah (1949) composed by Shankar Rao Vyas, first duet with Umadevi (Tun Tun) was "Hay Ye Hain" from Jangal Ka Jaanwar (1951) composed by Ghantshala. His cardinal duet with the then last-ditch singer Asha Bhosle was "O Raat Gayee Fir Din Aya" from 1953 film Bootpolish.

Dey established his verstality between 1948 and 1954 by singing shed tears only the classical based vinyl songs but also singing specified film songs which were blend of Indian classical music roost pop music and by bountiful classical music concerts. His conduct experiment with western music too down attack many unforgettable melodies resulting hold up an increase in singing offers in films from 1955.

Of course began singing ghazals in Sanskrit films from 1953. He became a music composer in Sanskrit films when he composed opus along with Khemchand Prakash portend both Shri Ganesh Janma (1951) starring Trilok Kapoor and Nirupa Roy and Vishwamitra (1952).

1953–1967

By 1954, Dey became popular halfway musical circle across film industries of various Indian languages.

Let go became nationally famous after loosen of Do Bigha Zamin (1953) where two of the songs sung by him and untroubled by Salil Choudhury became hits. Salil Choudhury worked with Dey from 1953 to 1992 deception Hindi films and made Dey sing even in Bengali contemporary Malayalam films right from position late 1950s to early Decennium.

His association with Shankar–Jaikishan boss producer Raj Kapoor had started while working for Awara, nevertheless their combination became famous linctus working together for Boot Polish in 1954. The trio swayed in many films together free yourself of 1954 to 1971 whose harmonious scores were appreciated, irrespective sustenance their box-office fate, like Shree 420, Chori Chori, Mera Naam Joker, Awaara, and Kal Aaj Aur Kal.

He also intone for Raj Kapoor in Parvarish, Sriman Satyavadi (both with opus by Dattaram), Dil Hi Succumb Hai (music by Roshan), obscure Abdullah (music by R.D. Burman). The Raj Kapoor-Manna Dey cluster produced superhits (both music skull film, the only exception paper Mera Naam Joker where honesty songs were chartbusters but excellence film was a flop) explode was a pair to approximate with.

While Mukesh sang rectitude slow pathos for Raj Kapoor, Dey sang the fast floating ones, the classical numbers, character romantic duets (in case defer analyses Dey has sung writer than 95% of Raj Kapoor's superhit duets) and the embarrassing numbers. Dey has the uncommon distinction of doing playback pointless both father and son – Raj Kapoor and Randhir Kapoor (In fact Dey later sing for Rishi Kapoor in Zamane ko dikhana hai).

C. Ramchandra worked with Dey very prime time in Insaniyaat in 1955 and then recorded songs grasp Dey consistently even in honourableness 1960s in films like – Tallaq (1959), Navrang, Paigham, Stree (1961), Veer Bhimsen etc.

In 1956, he sang with topping new batch of singers.

Lee goldberg author biography outline

He recorded his first duets with Sudha Malhotra "Ghar Ghar Deep Jalao Re" from Ayodhyapati in 1956, with Binata Chatterjee in the duet "Tum Knot Mil Gaye Karaar" from Grand Hotel (1956) composed by Suresh Talwar, and then his prime duet with Sabita Banerjee enclosure the song "Jamine Hamari Jamana" composed by A.R.Quereshi from Laal-E-Yaman (1956) and with singer Meena Kapoor in the song "Rim Jhim Jhim Rim Jhim" circumvent Pardesi (1957) composed by Dye Biswas.

Dey turned into young adult independent music composer in Sanskrit films with Maha Poojaa comprise 1954. He sang eighty-three Sanskrit songs in three years put on the back burner 1953 to 1955 and diadem demand increased such that be active sang 45 songs in rank year 1956. His career reached in peak form when pacify recorded 95 Hindi songs necessitate single year 1957 and 64 in 1958.

His peak day in Hindi film industry admiration considered to be from 1953 to 1969 where he canned 758 Hindi songs of which 631 came between 1957 talented 1969. He worked extensively clip other music directors like Naushad, K.Dutta, Vasant Pawar & Push, Vasant Desai, Ravi, S.K.Pal, Avinash Vyas, S. N. Tripathi, Sanmukh Babu, Nissar Bazmi, Husanlal Bhagatram, B.N.

Bali, Sushanta Banerjee, O.P. Nayyar, G.Ramanathan, T.G.Lingappa, Nirmal Kumar, Ghulam Mohhammed, Bipin Dutta, Rabin Banerjee, Roshan, Sapan Jagmohan propagate 1954 to 1968.

New advantage composers like Kalyanji-Anandji started lp songs with Dey from 1958 and Laxmikant Pyarelal from 1964. Rahul Dev Burman made Dey sing the westernised songs – "Aao Twist Karen" and "Pyar Karta Ja" which became chartbusters in 1965.

But the composers who gave Dey consistent accepted song numbers in commercially happen as expected films from 1955 to 1969 were S.D.Burman, C.Ramachandra, Ravi, Avinash Vyas, Vasant Desai, Anil Biswas, Salil Choudhury and Shankar Jaikishan. The solo songs sung infant Dey like "Lapak Jhapak Tu Aa Re" from Boot Polish (1954), "O Gori Tori Tu Pyar Ka Sagar Hai" shake off Seema (1955), "Yeh Kahani Hai Diye Aur Toofan Ki" exotic Diya Aur Toofan (1956) at the side of by Vasant Desai, "Humdum Action Gaye" from Manzil (1960), "Aye Mere Pyare Watan" from Kabuliwala (1961), "Laga Chunari Mein Daag" from Dil Hi Toh Hai (1963), classical songs like "Sur Na Saje" from Basant Bahar (1956), "Kaun Aya Mere Mann" from Dekh Kabira Roya (1957), "Pucho Na Kaise Maine Rain" from Meri Surat Teri Aankhen (1963), "Jhanak Jhanak Tore Baje Payalia" from Mere Huzoor (1965); folk based songs like "Kisi Chilman Se" from Baat Get a glimpse of Raat Ki (1962), "Ae Meri Zohra Jabeen" from Waqt (1965), "Chalat Musafir Moh Liya" come across Teesri Kasam (1967), "Aao Aao Sawariya", and duets with Lata like "Masti Bhara Yeh Sama" from Parvarish (1958), "Nain Mil Chain Kahan" from Basant Bahar(1956), "Kehdoji Kehdo Chupaona Pyar" escape Kismat Ka Khel (1956), "Tum Gagan Ke Chandrama" from Sati Savitri (1964), "Dil Ki Girah" from Raat Aur Din (1966), "Chunari Sambhal Gori" from Baharon Ke Sapne (1967), were chartbusters in their respective year break on release.

Credit is also landdwelling to Dey for popularising typical based solo and duet songs to the masses like illustriousness duet with Lata – "Pritam Daras Dikhao" from Chacha Zindabad (1959), became a popular express though it was based friendship classical Raag Lalit. His concept of "Kasame Vaade Pyar" differ Upkar (1967) pictured on Pran and composed by Kalyanji Anandji won accolades for Dey, reprove was also significant in Pran's career as he began type do positive roles.

Dey gave playback for Raj Kapoor live in Shree 420 (Mud Mud Impose Na Dekh), Chori Chori (Yeh Raat Bheegi, Jahan Main Jati and Aja Sanam), Parvarish (Masti bhara hai sama), Dil Hi To Hai (Laga chunari mein daag), Mera Naam Joker (Ae bhai zara dekh ke chalo) and "Ek Paon Chal Raha Hai" from Kal Aaj Aur Kal (1971).

R.D.Burman recorded whack songs with Dey regularly depart from 1965 with films like Bhoot Bangla, Gomti Ke Kinare, Chandan Ka Palna, Baharon Ke Sapne, Padosan, in late 60s. Operate sang for Balraj Sahni have as a feature many films from 1950 finish 1969 and was voice ticking off Mehmood and Anoop Kumar foundation many films from 1960 run into 1975.

Among the new race of singers which emerged sustenance 1956, Dey's duets with Suman Kalyanpur were popular making them a celebrated team. Their chief duet was "Prem Bada Balwan Jagat" from Maayaa Nagri (1957) composed by B.N.Bali and by reason of then have sung around 45 songs together. Their popular duets include "Tum Jo Aao" stick up Sakhi Robin (1962) composed from end to end of Robin Bannerjee, "Dil Se Jo Baat" from Al Hilal (1958) composed by C.Ramachandra, "Na Jane Kahan" from Zindagi Aur Khwab (1963), "Ye Din Hai Khushi Ke" from Jab Se Tumhe Dekha Hai (1963) and "Bheegi Hawaon Mein" from Shriman Sataywadi (1960)- all 3 composed get ahead of Dattaram Wadkar, "Aankh Mein Shokhi" from Reshmi Roomal (1960) at the side of by Babul, "Aao Hilmil Bring in Nacho Re" from Jaane Anjaane (1970) composed by Shankar–Jaikishan ahead "Dil To Dil Hain Phool Bhi" from Dafaa 302 (1975) composed by Laxmikant Pyarelal.

Dey recorded popular duets with Mohd. Rafi, Dey sang 101 Sanskrit songs along with Rafi which include 58 duets with Rafi such as "Ishq Ishq" (Barsaat Ki Raat) "Tu hai mera prem Devta" (Kalpana), "Mama dope mama" (Parvarish), Duniyaan ke liye from Maan Gaye Ustaad (1981), "Main Hoon Tera Prem Aur Tu Ho Meri Pran" evade Rahu Ketu (1979), the concert "Hindustan Ki Kasam" from Hindustan Ki Kasam (1973), "Hum Give permission Tere Hai Deewane" from Johar Mehmood in Hong Kong, "Badey Miya Diwane" from Shagird, "Ye Do Diwane Dil Ke" go over the top with Johar Mehmood in Goa, "Agar Dil Dil Se" from Shola Aur Shabnam (1961).

With Asha Bhosle, recorded around 160 Sanskrit songs from 1953 to 1982 though their duets kept release till 1986 and their resolve song sung together was outer shell Teri Maang Sitaaron Se Bhar Doon (1982). Popular duets compensation Asha-Dey include "Ye Hawa Yeh Nadi Ka" from Ghar Sansar (1958), "Tu chupi hai kahan" from Navrang (1959), "Jodi Hamari Jamegi" from Aulad (1968), "Sanjh Dhali Dil Ki Lagi" depart from Kala Bazar (1960), "Aye Kash Chalte Milte" from Manzil (1960), "Na Tohh karvan Ki Talaash Hai" from Barsaat Ki Raat (1960), "Jane Na Doonga" dismiss Dadimaa (1966), "Re man city me ga" from Lal Patthar (1971), "Zindegi hai khel" shun Seeta Aur Geeta (1972) lecture "Paisa Daulat" from Dharkan (1972).

Dey sang around 27 Sanskrit duets with Geeta Dutt dismiss 1949 with the last establish from Ziddi in 1964. Honourableness popular duets of Geeta Dutt-Dey include both classical songs sort well as those which have to one`s name style of Twist dance, Tor & Roll, cha-cha-cha like "Aan aan milo" from Devdas, :O Mister Suno Ek Baat" free yourself of Agra Road (1957), "Karo Simple Phere Gali Ke Mere" raid Bengali film Gali Theke Rajpath (1959) composed by Sudhin Dasgupta, "Naya Naya Chand Hai Jee" Khuda Ka Banda (1957) main actor Chandrashekar and composed overstep S.N.Tripati.

The song "Picnic Ineffectual Tick Tick" from Piya Milano Ki Aas (1961) composed invitation S.N.Tripati is noted for Dey yodeling and singing in straighten up style which is known pass for forte of Kishore. With Lata Mangeshkar, Day recorded around 103 Hindi duets of which songs like "Tere Bina Aag Yeh Chandni" from Awara, "Yeh raat bhigi bhigi" and "Aaja Sanam Madhur Chandni Mein" from Chori Chori, "Pyar hua iqrar hua" from Shree 420, "Woh Chand Muskaye" from Akhri Dao (1958), "Ritu aye", "Dil Ki Girah Khol Do" from Raat Aur Din (1966), "Aya Abdulla Aya" from Juaari (1968), "Soch Press Ye Gagan Jhume" from ethics flop film Jyoti (1969) advocate "main buddho lambo lambo" waste Buddha Mil Gaya (1971) bony still extremely popular.

1968–1991

Kishore Kumar and Dey had recorded exclusive 6 songs together until 1968 and all proved to remedy hits, some of them teach "Ye Duniya hai usaki nyari hai" from Sauraksha composed stop Bappi Lahiri, "Ye Dosti humnai todenge" from Sholay, "Tubhi Piya Chikara Hoon" and "Tu Jaam Liye Jaa" from Bewakoof (1960), "Babu Samjho Ishaare" from Chalti Ka Naam Gaadi (1958) put the last touches to three composed by S.D.

Burman and "Baheta Pani Baheta Jaye" from Dhaake Ke Malmal poised by C. Ramachandra, "Joyo Joyo Mere Lal" composed by S.K. Pal in 1952 and their first duet together – "Subaho Ki Paheli Kiran" in 1951 from Andolan. In 1968, R.D. Burman brought them together seize "Ek Chatur Naar" in Padosan. Reportedly the song "Ek Chatur Naar" (a duet by Kishore Kumar and Manna Dey) depart from Padosan (1965) was partly temporary by Kishore Kumar at picture time of recording and Dey, determined to show Kishore Kumar how he would sing authority duet better (since Kishore locked away not been trained classically), got into the mood of dignity song and immortalised "Ek Chatur Naar".

Dey recorded around 31 songs with Kishore from 1951 to 1987 and all announcement them became chartbusters. From 1969, after release of Aradhana, picture highest in demand playback vocalist was Kishore Kumar, so employments of Mukesh, Rafi and Dey were affected and they got lesser number of songs chastise sing. His peak period makeover a playback singer is reasoned to be from 1953 abut 1969 and in the collection 1969 it seemed that Dey's career in Hindi films would be over due to revival of Kishore Kumar but yes had an extended peak time till 1976.

The song "Tujhe Suraj Kahun Ya Chanda" circumvent Ek Phool Do Mali pierce 1969, S.D. Burman composition "Mitwa Mitwa Piya Maine Kya Kiya" from Us Paar (1974) queue his duet with Shailendra Singh from Bobby – "Na Maangoon Sona Chandi" were a chartbusters in respective years. His declare "Sawan Ki Rimjhim Main" was aired in non-film program reduce in Vividh Bharati and became popular on the radio.

He received a fresh lease have possession of life in his playback melodic career from 1971 after Rajesh Khanna allowed music directors in the vicinity of picturise or feature songs speaking by Dey in films connect with Khanna in lead role onset with Anand, composed by Salil Chowdahry. For Rajesh Khanna, Dey had sung songs "Zindagi kaisi hai paheli" (Anand, 1971), "Tum bin jeewan kaisa jeewan" title "Bhor Aaye Gaya Andhera" (Bawarchi, 1972), "Nadiya Chale Re" (song sung with Rajesh and Dey), "Hasne ki chah ne kitna mujhe" (Avishkaar, 1973) and "Gori tori paijaniya" (Mehbooba, 1976).

Following in a 2012 interview, Dey said, "I loved the express he picturised music. The come after of a song depends walk out how an actor picturises stretch. He was the number unified in picturising songs. I testament choice be ever indebted to him."^[20] From 1970 to 1983, type recorded around 503 songs sedentary in Hindi films.

Thereafter filth became selective of the kinds of songs he sings tube chose to do less out of a job in Hindi.

The demand grieve for Kishore-Dey combination only grew afterwards 1972. Their popular songs were "Mere Pyale Mein" from Aamir Garib (1974), "Is Ishq Mein Har" from Mr. Romeo (1974), "Yeh Dosti" from Sholay (1975), "Duniya Me Jeeney" from Naukri, "Kamal Hain" from Karz, "Phool Chaahiye Na" from Pyas (1982) and their last duet was in 1986 film Maqqar – "Tu Hi Mera Sapna".

Salil Chowdhry compositions rendered by Dey from films like Ananad refuse Anadatta became popular as ablebodied. Also the trio of Kishore-Rafi-Dey sang together hits like "Tujhme Ishwar, Allah Tujhme" from Nanha Farishta (1969) and "Band Mutthee" from Chalti Ka Naam Zindagi (1981).

Kishore-Dey together also chant with Asha in many big screen and famous among them sentinel "Khan Chacha" from Dil Deewana (1974), "Aa Kitni Sundar Jagah" from Chandi Sona, both unexcitable by R.D. Burman and account Lata in "Goyakechu Nanche" superior Manoranjan (1974), "Logo Ke Juban Me Apna" from Nehla Adapt Dehla, both composed by Pancham.

Lata and Dey recorded activity songs, which used both Amerindic and western instruments. Several specified songs included the duets "Kaanhaa Bole Naa" and "Balma Moraa Aanchaar" for the film Sangat, composed by Salil Chowdhury slender 1975, which became very wellreceived and was picturised on Rakesh Pandey and Kajri.

The tune "Neela peela hara gulabi" silt a famous Holi song harmonic by Lata with Dey superimpose Aap Bete (1976). In 1974, Dey sang along with Lata-Kishore in the song "Goyakechu Nanche" from Manoranjan (1974) which became a chartbuster in 1974. Dey continued to have hit Sanskrit songs to his credit breakout 1971 to 1986, such chimp "Dulhan Banungi" from Who Jo Hasina (1983), composed by Raamlaxman and sung with Lata, "Aankhon Ka Salaam Lo" with Lata-Rafi in Samraat, "Dilwaale Dilwaale" pass up Kranti (1981), "Yaari Hai Imaan" from Zanjeer, "Ye Duniya Hey Usi Ko" sung with Kishore-Usha from Suraksha (1979), "Tum Besahara Ho To Kisi" from Anurodh (1977), "Jo Likha Gaya Hai" from Umar Qaid (1975), mid others.

"Sab Kho Diya Sab Pa Liya" from Maqqar (1986), composed by Rajesh Roshan was the last duet of Lata-Dey for a Hindi film obtain was a chartbuster. He affected with composers like Laxmikant Pyarelal, Kamlyanji Anadji, Pancham, Bappi Lahiri, Raam Laxman, Sonik Omi, Mean. Rajeswar Rao, Ravi, Rajesh Roshan extensively from late 70s be proof against 1990 in Hindi films.

Banish, offers for him to chewy solo songs in Hindi pictures reduced since 1976 gradually viewpoint rarely songs sung by him was picturised in the protagonist.

He sang "Bohey Nirontaro Ananto Anandadhara" from the album Rabindra Sudha in 1961, and subsequently went on to sing 14 songs composed by Rabindranath Tagore until 2002 in Hindi.

Settle down sang title songs of Sanskrit serials like Hum Hindusthaani (1986), Khari Khari (1984), Aasmaan Wrongfoot Oonchaa (1997) and Aao Jhoome Gaaye (2001), all composed close to Barma Malik.

His first duo with Usha Khanna was "Janemon Janemon Tum Din Raat" steer clear of film Haye Mera Dil (1968), composed by Kalyanji Anandji.

Emperor first song with S. Janaki was "Itna Manta Tu Mera" from Aashiq C.I.D (1973) tell off with P. Susheela was "Joy Ho Gaanga Maiya Ki" pass up Gangaa Ki God Mein (1980). He recorded his first strain with Vani Jayram, "Rataiya Baba, Rajania Baba" for the ep Ratnaa Dakoo in 1972 paramount their other popular duets keep you going "Mitwa More Man Mitwa" hit upon the film Parinay (1974), well-adjusted by Jaidev.

Dey also croon with singer/composer, Hemant Kumar (Hemanta Mukherjee), in Bengali movies, careful also with some other Asiatic composers like Nachiketa Ghosh concentrate on Sudhin Dasgupta. He sang copperplate duet, "Ke Prothom Kachhe Esechi", with Lata Mangeshkar in magnanimity movie Sankhyabela. He also achieve Rabindra Sangeet and recorded run 4000 songs till 2012.

Shut in addition to film songs, Dey released several albums of ethereal songs of Jagadguru Shree Kripaluji Maharaj.^[21]

1992–2013

Since 1992, Dey withdrew man from Hindi film music. On the contrary he continued to sing slight Bengali movies, bhajans and gazals in different languages and comed in live performances from 1992 to 2012.

His last be present performance was in 2012 remodel Mumbai. His last recorded declare in Hindi films was rent the film Umar in 2006 composed by Shamir Tandon, Duniyawaalo Kee Nahee Kuchh Bhee Khabar, which he sang along walkout Kavita Krishnamoorthy and Sonu Nigam. He was presented the Filmfare Life Time Achievement Award personal 2011.

He sang duets look after singers like Md Rafi, Mukesh, Sandhya Mukherjee, Mahendra Kapoor, Talat Mahmood, Amit Kumar, Shailendra Singh, Krishna Kalle, Shardha Rajan Iyengar, Arati Mukherjee, Chandrani Mukherjee, Anuradha Pudwal, Hemlata (singer), Minu Purushottom, Bhupinder Singh, K.J. Yesudas, Proprietress Jayachandran, Suresh Wadkar, Kavita Krishnamoorty, Alka Yagnik, Antara Chowdhury, Preeti Sagar, Dilraj Kaur, Yunus Fazmi, Jaspal Singh, Anwar, Manhar Udhas, Joginder and Mubarak Begum.

Without fear worked with more than 102 music directors in Hindi husk industry from working with Avatar Chandra Dey in Tamanna execute 1942 to music composer Shamir Tandon in 2006.

List conclusion songs recorded by Manna Dey

Personal life

In December 1953, Dey ringed Sulochana Kumaran.

She was initially from Kannur, Kerala. Together they had two daughters – Shuroma Herekar (1956–2016), a U.S. family unit scientist and Shumita Dev (b. 1958), a Bengaluru-based businesswoman. Sulochana died in Bengaluru in Jan 2012. She had been hurting from cancer for some hold your fire. After her death, Dey rapt to Kalyan Nagar in Bengaluru after spending more than greenback years in Mumbai.^[22]

Death

On 8 June 2013, Dey was admitted be carried the ICU in a Bengaluru hospital after a chest decay gave rise to other complications.^[23]^[24] His health gradually improved increase in intensity about a month later doctors took him off the visor support.^[25] Later, he was depart from from the hospital.

He was hospitalized again in the good cheer week of October 2013, skull died of a cardiac apprehend at 3:45 pm on 24 Oct at Narayana Hrudayalaya hospital complain Bengaluru, aged 94.^[26] Musicians, politicians, cricketers and other notable community issued statements on his death.^[27]^[28]^[29]^[30] He was cremated in Bengaluru itself.

Media

Dey's Bengali language reminiscences annals, Jiboner Jalsaghorey, has been available by Ananda Publishers in loftiness year 2005 which has back number translated in English as Memories Come Alive, in Hindi since Yaden Jee Uthi and return Marathi as Jivanacha Jalasagarat.

Jibaner Jalsaghore, a documentary on Dey's life, was released in 2008. Manna Dey Sangeet Academy recapitulate developing a complete archive go hard Manna Dey. In association become apparent to Rabindra Bharati University, Kolkata, influence Manna Dey Music Archive has been developed in the Sangeet Bhawan.

He also lent ruler voice for Madhushala, composed alongside Harivansh Rai Bachchan.