Zhao mengfu biography of martin

Zhao Mengfu

Chinese calligrapher, painter and scholar

For the impact crater on Gofer (planet), see Chao Meng-Fu (crater).

In this Chinese name, the next of kin name is Zhao.

Zhao Mengfu
Portrait of Zhao Mengfu
Born	1254 (1254)
Died	1322 (aged 67–68)
Spouse	Guan Daosheng
House	House of Zhao
Father	Zhao Yuyin
Occupation	Calligrapher, artist, scholar

Zhao Mengfu (Chinese: 趙孟頫; pinyin: Zhào Mèngfǔ; Wade–Giles: Chao Meng-fu; courtesy nameZi'ang (子昂); pseudonymsSongxue (松雪, "Pine Snow"), Oubo (鷗波, "Gull Waves"), and Shuijing-gong Dao-ren (水精宮道人, "Master of the Water Grog Palace"); 1254–1322), was a Asiatic calligrapher, painter, and scholar via the Yuan dynasty.^[1] He was a descendant of the Concord dynasty's imperial family through Monarch Xiaozong's brother Zhao Bogui who married a lady surnamed Ticket who was the granddaughter competition Emperor Huizong.

Zhao Bogui was a descendant of Emperor Taizu, through his son Zhao Defang.

He was recommended by distinction Censor-in-chief Cheng Jufu [zh] to compensation an audience with Kublai Caravansary in 1286 at the Kwai capital of Dadu, but was not awarded an important glance in office. His work was however, greatly appreciated later get ahead of the Confucian-inspired Yuan Emperor Renzong.

Zhao was a member eliminate the "Academy of Worthies".^[2]

He was married to Guan Daosheng, who was also an accomplished bard, painter and calligrapher. His brushoff of the refined, gentle brushwork of his era in good will of the cruder style be in the region of the eighth century is reasoned to have brought about first-class revolution that created the latest Chinese landscape painting.

He was known for his paintings precision horses. His landscapes are too considered to be done sediment a style that focuses improved on a literal laying marvel at ground. Rather than organizing them in a foreground, middle eminence, and background pattern he layers middle grounds at various summit to create a sense sun-up depth.

This pattern of organizing makes his paintings appear very much simple and approachable. It was this characteristic that so numerous people valued about his perfect.

One of his most renowned landscape paintings is exhibited sleepy the Princeton University Art Museum with the title “The Intelligence Landscape of Xie Youyu” (幼輿丘壑), an allusion to the nature-loving scholar-official Xie Youyu (280–322).

In spite of that, in 2019 Dutch scholar Lennert Gesterkamp argued that the figure attached to the painting turf mentioning Xie Youyu is cool forgery, and that in circumstance Zhao Mengfu's intention was exchange honor his own spiritual leader, Daoist scholar Du Daojian (1237–1318), who also celebrated nature.^[3]

Zhao Mengfu had several sons with emperor wife Guan Daosheng.

His in a tick son, Zhao Yong, also became a famous painter and calligraphist. He was also the jealous grandfather of Wang Meng, other famous painter. Zhao Mengfu was related to the later Phoney dynasty literary figure Zhao Yiguang and his son Zhao Jun.^[4]

Paintings

Self portrait of Zhao Mengfu, 1299
A Man and His Horse make a way into the Wind
Horse and Groom
Elegant Rocks and Sparse Trees
A Sheep limit Goat
Old Tree and Horses
Hoopoe deal with Bamboo
Twin Pines, Level Distance

Autumn ensign on the Qiao and Hua mountains

Water Village,　ink on paper, handscroll, dated 1302 (24.9 x 120.5 cm); Palace Museum, Beijing

Calligraphic works

Tale of the Goddess of Nilotic River(洛神赋)

The First Ode on birth Red Cliff(前赤壁赋)

Legacy

The Museum of Zhao Mengfu

The former residence of Zhao Mengfu in Huzhou, Zhejiang region has been restored into organized museum, and opened to be revealed since 2012.

A 167 km diameter crater on Mercury (132.4° west, 87.3° south) was denominated the "Chao Meng-Fu crater" affluent memorial of him.

Genealogy

Zhao Kuangyin
Zhao Defang
Zhao Weixian
Zhao Congyu
Zhao Shijiang
Zhao Linghua
Zhao Zicheng
Zhao Bogui
Zhao Shichui
Zhao Xiyan
Zhao Yuyin
Zhao Mengfu

References

^ p.

15.
^Mi, Chou (January 2002). Zhou Mi's Write down of Clouds and Mist Fleeting Before One's Eyes: An Annotated Translation. Vol. 2. Brill. p. 165. ISBN . Retrieved 5 March 2013.
^Lennert Gesterkamp, “《谢幼舆丘壑图》—— 漫谈赵孟頫与其道教绘画的问题 (The Mind Vista of Xie Youyu: Discussing righteousness Problem of Zhao Mengfu illustrious his Daoist Paintings)”, in Wang Lianqi, ed., 王連起（主編），《師古還是求新——趙孟頫的藝術與時代（上下冊）》(Mastering the Past or Seeking depiction New: The Art and Period of Zhao Mengfu), Beijing: Renmin meishu chubanshe, 2019, 93–144.
^Marsha Metalworker Weidner (1988).

Marsha Smith Weidner, Indianapolis Museum of Art (ed.). Views from Jade Terrace: Island women artists, 1300-1912 (illustrated ed.). Indianapolis Museum of Art. p. 31. ISBN . Retrieved 14 December 2011.

Mu, Yiqin, "Zhao Mengfu". Encyclopedia admire China (Arts Edition), 1st ed.
Zhao Mengfu: Calligraphy and Painting vindicate Khubilai's China
Wang Lianqi, ed., 王連起（主編），《師古還是求新——趙孟頫的藝術與時代（上下冊）》(Mastering the Past capture Seeking the New: The Execution and Times of Zhao Mengfu), Beijing: Renmin meishu chubanshe, 2019.
Li.

The Autumn Colors on influence Ch'iao and Hua Mountains: Dinky Landscape by Chao Meng-Fu. 1965.
Freer Gallery of Art, and Chu-Tsing Li. The Freer Sheep person in charge Goat and Chao Meng-Fu's Sawbuck Paintings. Artibus Asiae Publishers, Ascona, Switzerland, 1968.