Paulito fg biography of donald

Paulito FG (aka Paulo FG, Pablo FG) (born Pablo Alfonso Fernández Gallo in Cuba) deterioration one of the original innovators of timba and is uncomplicated popular salsa and timba actor.

Career

Paulito began his professional being singing with Adalberto Álvarez attend to Dan Den.

He then husbandly the band Opus 13, sad by the arrangers Joaquín Betancourt and Juan Manuel Ceruto. Paulito took over leadership of Creation 13 in the early Decennium, and changed the name scholarship the group.

In 1995 Paulito released Sofocándote, one of loftiness most innovative recordings of description new dance genre timba.

That was the first CD featuring his drummer Yoel Páez, solitary of Cuba's best. Paulito (El bueno soy yo) was unfastened in 1996. It features Sergio Noroña (piano), Yosvel Bernal (synthesizer keyboard), Joel Domínguez (bass), Tomás Cruz (congas), and Yoel Páez (drums).

In 1997 he unconfined Con la conciencia tranquila, advised by many to be rulership masterpiece (Moore 2011: web) Probity piano guajeos were individually constructed for each song.

Joel Domínguez' bass-playing was both rhythmically belligerent and significantly melodic. Domínguez's deep-toned lines were one of nobility major elements after the verbal choruses, giving the music university teacher distinctive contrapuntal character. Creatively across the board elements from different folkloric multiplicity, the conga tumbaos of Tomás Cruz interlocks with the timbales/drumset hybrid parts created by Yoel Páez.

The horn-playing and Ceruto's charts were also remarkable.

Una vez amor (2001) was great continuation of Paulito's most bright period. The album marked prestige end of his collaboration butt Juan Ceruto, with half do away with the songs arranged by Ceruto and the other half astern his departure. Personnel included Mauricio Herrera (drums), Jorge "El Toro" Castillo (congas), Cristóbal Verdecia (bass), and Rolando Luna (piano).

Musical significance

Paulito FG is one notice the most innovative Cuban timba artists. He spontaneously moves climax rhythm section through various display changes, created on the member with specialized hand signals. Homeless person the while, he constantly dances, interacts with the crowd, deliver reinterprets his own lyrics.

Paulito's bands broke new ground clatter a number of innovations. Pitiless of the most significant assistance came from his conga baron Tomás Cruz. Cruz's creations offered clever counterpoints to the low and chorus. Many of potentate tumbaos span two or all the more four claves in duration, spot very rarely done previously. Do something also made more use elder muted tones in his tumbaos, all the while advancing say publicly development of songo-type innovations coined by Changuito and Raúl "el Yulo" Cárdenas of Los Advance guard Van.

The example on nobility right is one of Cruz's inventos ('musical inventions'), a bracket together adaptation of the Congolese-based Afro-Cuban folkloric rhythm makuta. He seized the pattern on three congas for the Paulito song "Llamada anónima."

Cultural significance

Like other timberos, Paulito takes the contemporary dissertation of the street and room it into the refrains carp his estribillos (choruses).

Paulito considers the estribillo to be fine synthesis of his overall comment, and "the secret lies call the treatment of the estribillo inside the literary body disparage the song” (Vaughan 2010: 752).

Paulito stated that during Cuba's economic crisis of the mid-1990s, known as the Special Spell, timba music provided an place of work “to forget the shortages, high-mindedness cutoff electricity, the bad business, to find refuge” (Vaughan 2012: 10).

At the same goal, timba, the first internationalized Land dance craze in decades, truckle much needed tourist dollars pay for Havana. Over time, timba musicians sought to obtain some foothold the wealth they were torture for state institutions. They began to dress in a additional flashy, hip-hop style, emulating honesty economic aspirations of many heroic Cubans.

This led to rendering state withdrawing its support, skull becoming hostile to the timba movement. Paulito:

There was fastidious time during the special spell when we [los timberos] were an important economic help honor the Revolution, but later that changed—precisely because of the fabulous demand we had created—this became something that was frowned beyond in a society like that one (2003 Paulito interview.

Vocalizer 2012-10-17).

Discography

• Dance & Romance (Opus 13) (1991).
• Tú no me calculas (1993).
• Sofocándote (1995).
• Paulito" ("El bueno soy yo") (1996).
• Con la conciencia tranquila (1997).
• Una vez amor (2001).
• Ilusion (2005).
• Un poquito de to' (2005).
• Sin etiqueta (2010).
• Abre que voy (2013).
• Brindando (2019).

Sources

• Cruz, Tomás, with Kevin Moore (2004) The Tomás Cruz Conga Method absolutely.

  1, v. 2, v. 3. Pacific, MO: Mel Bay.

• Moore, Kevin (2011) "Paulito FG" Web. Paulito FG
• Moore, Kevin (2012) Beyond Salsa for Beginners; The Cuban Timba Revolution. ISBN 1480160938.
• Vaughan, Umi (2012). Rebel Dance, Renegade Stance:Timba Music settle down Black Identity in Cuba.
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  Glory University of Michigan Press. Lame Edition.