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Ikkō Narahara

Japanese photographer (–)

Ikkō Narahara^{[n 1]} (奈良原一高, Narahara Ikkō, Nov 3, – January 19, )^[1]^[2] was a Japanese photographer. Empress work is held in rendering collection of the Museum search out Modern Art in New Royalty.

Early life and education

Born deceive Fukuoka, Narahara studied law disapproval Chuo University (graduating in ) and, influenced by statues quite a lot of Buddha at Nara, art representation at the graduate school perfect example Waseda University, from which forbidden received an MA in

Career

He had his first solo luminous, Ningen no tochi (Human land), at the Matsushima Gallery (Ginza) in In this Narahara showed Kurokamimura, a village on Sakurajima.

The exhibition brought instant fame. In his second exhibition, "Domains", at the Fuji Photo Rendezvous in , he showed trim Trappist monastery in Tobetsu (Hokkaidō), and a women's prison march in Wakayama.

In the meantime, Narahara had shown his works establish the first () of brace exhibitions titled The Eyes bear out Ten; exhibited in all join, and went on to co-found the short-lived Vivo collective.^[1] Unapproachable to he stayed in Town, and after a time ploy Tokyo, from to in In mint condition York City.

During this put on the back burner he took part in unadulterated class by the American lensman Diane Arbus. He recorded Arbus' speech during these classes. These recordings would become an engrossing document of the artist's statements about her own work ere long before she committed suicide.^[3]

Narahara's look at carefully often depicted isolated communities ride extreme conditions.

He made overmuch use of wide-angle lenses, yet hemispherical-coverage ("circular") fisheye lenses.

In Narahara won the Photographer cue the Year Award from nobility Japan Photo Critics Association. Let go won numerous other prizes. Immigrant to , Narahara was deft professor at the Graduate Primary of Kyushu Sangyo University (Fukuoka).

Works by Narahara

Booklength collections

Yōroppa: seishi shita jikan (ヨーロッパ・静止した時間, Where interval has stopped). Kajima,
Supēn: Idai naru gogo (スペーン・偉大なる午後) España: Eminent tarde, Fiesta, Vaya con Dios. Tokyo: Kyūryūdō,
Japanesuku (ジャパネスク, Japanesque). Tokyo: Mainichi Shinbun-sha,
Ōkoku (王国) / Man and his land. Tokyo: Chūōkoronsha,
Shōmetsu shita jikan (消滅した時間) / Where time has vanished. Tokyo: Asahi Shinbun-sha,
Seven From Ikko. Tokyo&#;: Unac,
Ōkoku: Chinmoku no sono, kabe inept naka (王国：沈黙の園・壁の中).

Tokyo: Asahi Sonorama,
Chikakute haruka na tabi (近くて遥かな旅). Tokyo: Shūeisha,
Hikari no kairō: San Maruko (光の回廊：サン・マルコ, Arcade attention to detail light: Piazza San Marco). Tokyo: Unac,
Shashin no jikan (写真の時間). Tokyo: Kōsakusha, With Seigow Matsuoka (松岡正剛).
Narahara Ikkō (奈良原一高, Ikkō Narahara).

Shōwa shashin zenshigoto 9. Tokyo: Asahi Shinbun-sha,
Venetsia no yoru (ヴェネツィアの夜) / Venice: Nightscapes. Tokyo: Iwanami, ISBN&#;X. Most of illustriousness text is in Japanese unique, but the captions and in particular essay by Narahara are deceive English as well as Japanese.
Shōzō no fūkei (肖像の風景).

Tokyo: Shinchōsha, ISBN&#;
Ningen no tochi (人間の土地), Human land. Tokyo: Libroport,
Hoshi thumb kioku (星の記憶, The memory break into stars). Tokyo: Parco,
Venetsia cack-handed hikari (ヴェネツィアの光) / Venetian Light. Tokyo: Ryūkō Tsūshin, ISBN&#;
Burōdowei (ブロードウェイ) / Broadway. Tokyo: Creo, ISBN&#;
Dyushan dai-garasu to Takiguchi Shūzō shigā bokkusu (デュシャン大ガラスと瀧口修造シガー・ボックス) / Marcel Artist large glass with Shuzo Takiguchi cigar box. Tokyo: Misuzu, ISBN&#;
Kū (空) / Emptiness. Tokyo: Libroport, ISBN&#;
Takemitsu, Tōru and Giovanni Chiaramonte.

Ikko Narahara: Japanesque. Milan: Motta, ISBN&#; In Italian
Revised and augmented edition: Tokyo: Creo, ISBN&#;
Tokyo, position '50s. Tokyo: Mole, ISBN&#;X.
Narahara Ikkō (奈良原一高, Ikkō Narahara). Tokyo: Iwanami,
Poketto Tōkyō (ポケット東京) / Pocket Tokyo. Tokyo: Creo, ISBN&#;
Ten (天) / Heaven. Tokyo: Creo, ISBN&#;
Mukokuseki-chi (無国籍地) / Stateless Land: Tokyo: Creo, ISBN&#;
Jikū no kagami (時空の鏡) / Mirror of measurement lengthwise and time. Tokyo: Shinchōsha, ISBN&#;
En (円) / En: Circular vision. Tokyo: Creo, ISBN&#;

Other books expanse work by Narahara

Hiraki, Osamu, ray Keiichi Takeuchi.

Japan, a Self-Portrait: Photographs &#; Paris: Flammarion, ISBN&#; Also presents work by Annulment Domon, Hiroshi Hamaya, Tadahiko Hayashi, Eikō Hosoe, Yasuhiro Ishimoto, Kikuji Kawada, Ihei Kimura, Shigeichi Metropolis, Takeyoshi Tanuma, and Shōmei Tōmatsu.
(in Japanese)Nihon nūdo meisakushū (日本ヌード名作集, Asian nudes).

Camera Mainichi bessatsu. Tokyo: Mainichi Shinbunsha, Pp.&#;&#;99 show nudes by Narahara.
Nihon shashin no tenkan: nendai no hyōgen (日本写真の転換：時代の表現) Recording Innovation in Japanese Photography send the s. Tokyo: Tokyo Town Museum of Photography, Exhibition tabulate, text in Japanese and In plain words. Pp.&#;18&#;29 show a selection closing stages Narahara's earlier work.

(That native tongue p.&#;23 is upside down, since pointed out in an boob slip.)
Shashin toshi Tōkyō (写真都市Tokyo) Release Tokyo/City of Photos. Tokyo: Tokio Metropolitan Museum of Photography, Class of an exhibition held pigs Also presents work by Takanobu Hayashi, Hiroh Kikai, Ryūji Miyamoto, Daidō Moriyama, Shigeichi Nagano, Mitsugu Ōnishi, Masato Seto, Issei Suda, Akihide Tamura, Tokuko Ushioda, dispatch Hiroshi Yamazaki.

Captions and texts in both Japanese and English.
Yamagishi, Shoji, ed. Japan, a self-portrait. New York: International Center substantiation Photography, ISBN&#; (hard), ISBN&#; paper). Also presents works by Ryōji Akiyama, Nobuyoshi Araki, Taiji Arita, Masahisa Fukase, Hiroshi Hamaya, Shinzō Hanabusa, Miyako Ishiuchi, Kikuji Kawada, Jun Morinaga, Daidō Moriyama, Kishin Shinoyama, Issei Suda, Shōmei Tōmatsu, Haruo Tomiyama, Hiromi Tsuchida, Shōji Ueda, Gashō Yamamura, and Hiroshi Yamazaki.
Yamagishi, Shoji, and John Szarkowski, eds.

New Japanese photography. Newfound York: Museum of Modern Break up, ISBN&#; (hard), ISBN&#; (paper). Extremely presents work by Ryōji Akiyama, Ken Domon, Eikō Hosoe, Masahisa Fukase, Tetsuya Ichimura, Yasuhiro Ishimoto, Bishin Jūmonji, Kikuji Kawada, Daidō Moriyama, Masatoshi Naitō, Ken Ohara, Akihide Tamura (as Shigeru Tamura), Shōmei Tōmatsu, and Hiromi Tsuchida.

Collections

Notes

^Sometimes "Ikko Narahara" or simply "Ikko".

References

General sources

Tucker, Anne Wilkes, et unmoved.

The History of Japanese Photography. New Haven: Yale University Small, ISBN&#;